Denys Baptiste


Five decades after his early death, we don’t need a specific anniversary to appraise the legacy of John Trane, and there are any mount of recordings – live and studio – that continue to surface on an annual basis. Some good and some bad, a combination of inferior live recordings and Trane over soloing and pushing boundaries,  already exhausted.

But Trane is Trane, and more so than many of his collaborators – Miles, for example – his work continues to inspire exploration and interpretation across the entire fulcrum of jazz.

If I had to recommend a recent release which balances the vision of the interpreter and the visceral and cosmic references of the original, Denys Baptiste is your only man. The Late Trane sounds fresh, as if it was recorded yesterday, and that’s because Baptise doesn’t cut corners and has a stellar band that is firing on all cylinders – Nikki Yeoh, Neil Charles and Rod Youngs.

The Late Trane has ten tracks, all bar two by Coltrane, with Neptune and Astral Trane by Baptiste, and they are at home here because Baptiste has maintained the Coltrane template, while adding his own garnishes and, thankfully, he feels the music.

What is special is that Baptiste has assemble an extraordinary band that illustrates  how musicians from London’s multi-cultural music scene have undergone a similar journey to Trane, though not as cosmic, and on The Late Trane, with well know compositions like Ascent and After The Rain, we have Coltrane filtered by the global sound of London, so expect folk, reggae and funk.

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